

Tonewood
Acoustic Guitar Backs and Sides
African Blackwood Backs (no sides)
Black Limba Backs and Sides
Black Limba Backs (no sides)
Black Limba Sides (no backs)
Bloodwood Backs (no sides)
Bloodwood Sides (no backs)
Bocote Backs and Sides
Bocote Backs (no sides)
Bocote Sides (no backs)
Bubinga Backs and Sides
Bubinga Backs (no sides)
Bubinga Sides (no backs)
Chechen Backs and Sides
Cuban Mahogany Backs and Sides
Cuban Mahogany Backs Only (no sides)
Ebony, West African Backs and Sides
Granadillo Backs and Sides
Granadillo Backs (no sides)
Granadillo Sides (no backs)
Honduran Mahogany Backs and Sides
Honduran Mahogany Backs (no sides)
Honduran Mahogany Sides (no backs)
Indian Laurel Backs (no sides)
Indian Rosewood Backs and Sides
Indian Rosewood Backs (no sides)
Indian Rosewood Sides (no backs)
Ishpingo Backs and Sides
Khaya Backs (no sides)
Koa Backs and Sides
Koa Backs, Sides and Top
Koa Backs (no sides)
Macassar Ebony Backs and Sides
Macassar Ebony Backs (no sides)
Macassar Ebony Sides (no backs)
Machiche Backs and Sides
Machiche Sides (no backs)
Madagascar Rosewood Backs and Sides
Madagascar Rosewood Backs (no sides)
Malaysian Blackwood Backs and Sides
Maple, American Backs and Sides
Maple, European Backs and Sides
Maple, European Backs (no sides)
Monterey Cypress Backs and Sides
Monterey Cypress Backs (no sides)
Myrtle Backs and Sides
Myrtle Backs (no sides)
Ovangkol Backs and Sides
Ovangkol Backs (no sides)
Padauk Backs (no sides)
Sapele Backs and Sides
Sapele Back (no sides)
Sapele Sides (no backs)
Spanish Cypress Backs and Sides
Tzalam Backs and Sides
Tzalam Backs (no sides)
Walnut, Black Backs and Sides
Walnut, Peruvian Backs and Sides
Walnut, Peruvian Backs (no sides)
Wenge Backs and Sides
Wenge Backs (no sides)
Wenge Sides (no backs)
Zebrawood Sides (no backs)
Ziricote Backs and Sides
Ziricote Backs (no sides)
Acoustic Guitar Sides for Laminating or Practice
Abies Project Acoustic Guitar Soundboards
Mandolin Arched Backs and Sides
Bridges
Archtop Guitar Bridges
Arched Mandolin Bridges
Classical Guitar Bridges
Steel String Acoustic Guitar Bridges
Bridge Blanks
Bloodwood Bridge Blanks
Bocote Bridge Blanks
Cocobolo Rosewood Bridge Blanks
Ebony, West African Bridge Blanks
Granadillo Bridge Blanks
Indian Laurel Bridge Blanks
Indian Rosewood Bridge Blanks
Katalox Bridge Blanks
Macassar Ebony Bridge Blanks
Malaysian Blackwood Bridge Blanks
Padauk Bridge Blanks
Pau Ferro Bridge Blanks
Purple Heart Bridge Blanks
Richlite Bridge Blanks
Rocklite Bridge Blanks
Royal Blackwood Bridge Blanks
Wenge Bridge Blanks
Ziricote Bridge Blanks
Classical Guitar Bridge Tie Block Inlays
Electric Guitar Body Blanks
Honduran Mahogany Electric Guitar Body Blanks
Khaya (African Mahogany) Electric Guitar Body Blanks
Sassafras Electric Guitar Body Blanks
Swamp Ash Electric Guitar Body Blanks
Fingerboards
Pre-slotted, Pre-radiused Fingerboards
Ebony, Indian Fingerboards
Ebony, West African Fingerboards
Granadillo Fingerboards
Indian Laurel Fingerboards
Indian Rosewood Fingerboards
Katalox Fingerboards
Macacauba Fingerboards
Macassar Ebony Fingerboards
Machiche Fingerboards
Madagascar Rosewood Fingerboards
Malaysian Blackwood Fingerboards
Maple Fingerboards
Ovangkol Fingerboards
Pau Ferro Fingerboards
Pau Rosa Fingerboards
Richlite Fingerboards
Rocklite Fingerboards
Royal Blackwood Fingerboards
Wenge Fingerboards
Ziricote Fingerboards
Headplates
Wood Headplates
Headplate Veneers
Necks
Precarved Classical Necks
Precarved Steel String Necks
Precarved Ukulele Necks
Neck & Heel Blanks
Honduran Mahogany Neck Blanks
Honduran Mahogany Heel Blanks
Khaya (African Mahogany) Neck Blanks
Khaya (African Mahogany) Heel Blanks
Maple Neck Blanks
Maple Heel Blanks
Peruvian Walnut Neck Blank
Peruvian Walnut Heel Blanks
Port Orford Cedar Neck Blanks
Port Orford Cedar Heel Blanks
Sapele Neck Blanks
Sapele Heel Blanks
Spanish Cedar Neck Blanks
Spanish Cedar Heel Blanks
Material for Neck Lamination
Ukulele & Flat Mandolin Tops
Adirondack (Red) Spruce Ukulele Tops
Redwood Ukulele Tops
Sitka Spruce Ukulele Tops
Ukulele and Flat Mandolin Backs and Sides
African Ebony Ukulele Back and Sides
Bhilwara Ukulele Back and Sides
Black Limba Ukulele Backs and Sides
Bloodwood Ukulele Backs and Sides
Brazilian Tigerwood Ukulele Backs and Sides
Bubinga Ukulele Backs and Sides
Cuban Mahogany Ukulele Backs and Sides
Granadillo Ukulele Backs and Sides
Honduran Mahogany Ukulele Backs and Sides
Indian Rosewood Ukulele Backs and Sides
Indian Rosewood Ukulele Back only (no sides)
Indian Rosewood Ukulele Sides Only (no back)
Ishpingo Ukulele Backs and Sides
Khaya Ukulele Backs and Sides
Khaya Ukulele Backs, Sides and Top
Macassar Ebony Ukulele Backs and Sides
Machiche Ukulele Backs and Sides
Maple, Bigleaf Ukulele Backs and Sides
Maple, European Ukulele Backs and Sides
Ovangkol Ukulele Backs and Sides
Wenge Ukulele Backs and Sides
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Parts
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Tri-M-Ite -3M
Wet-or-Dry Polishing - 3M
Adhesives
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Tape
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Tonewood
Acoustic Guitar Tops
Acoustic Guitar Backs and Sides
African Blackwood Backs (no sides)
Black Limba Backs and Sides
Black Limba Backs (no sides)
Black Limba Sides (no backs)
Bloodwood Backs (no sides)
Bloodwood Sides (no backs)
Bocote Backs and Sides
Bocote Backs (no sides)
Bocote Sides (no backs)
Bubinga Backs and Sides
Bubinga Backs (no sides)
Bubinga Sides (no backs)
Chechen Backs and Sides
Cuban Mahogany Backs and Sides
Cuban Mahogany Backs Only (no sides)
Ebony, West African Backs and Sides
Granadillo Backs and Sides
Granadillo Backs (no sides)
Granadillo Sides (no backs)
Honduran Mahogany Backs and Sides
Honduran Mahogany Backs (no sides)
Honduran Mahogany Sides (no backs)
Indian Laurel Backs (no sides)
Indian Rosewood Backs and Sides
Indian Rosewood Backs (no sides)
Indian Rosewood Sides (no backs)
Ishpingo Backs and Sides
Khaya Backs (no sides)
Koa Backs and Sides
Koa Backs, Sides and Top
Koa Backs (no sides)
Macassar Ebony Backs and Sides
Macassar Ebony Backs (no sides)
Macassar Ebony Sides (no backs)
Machiche Backs and Sides
Machiche Sides (no backs)
Madagascar Rosewood Backs and Sides
Madagascar Rosewood Backs (no sides)
Malaysian Blackwood Backs and Sides
Maple, American Backs and Sides
Maple, European Backs and Sides
Maple, European Backs (no sides)
Monterey Cypress Backs and Sides
Monterey Cypress Backs (no sides)
Myrtle Backs and Sides
Myrtle Backs (no sides)
Ovangkol Backs and Sides
Ovangkol Backs (no sides)
Padauk Backs (no sides)
Sapele Backs and Sides
Sapele Back (no sides)
Sapele Sides (no backs)
Spanish Cypress Backs and Sides
Tzalam Backs and Sides
Tzalam Backs (no sides)
Walnut, Black Backs and Sides
Walnut, Peruvian Backs and Sides
Walnut, Peruvian Backs (no sides)
Wenge Backs and Sides
Wenge Backs (no sides)
Wenge Sides (no backs)
Zebrawood Sides (no backs)
Ziricote Backs and Sides
Ziricote Backs (no sides)
Acoustic Guitar Sides for Laminating or Practice
Abies Project Acoustic Guitar Soundboards
Archtop Guitar Tops
Mandolin Arched Tops
Mandolin Arched Backs and Sides
Bridges
Archtop Guitar Bridges
Arched Mandolin Bridges
Classical Guitar Bridges
Steel String Acoustic Guitar Bridges
Bridge Blanks
Bloodwood Bridge Blanks
Bocote Bridge Blanks
Cocobolo Rosewood Bridge Blanks
Ebony, West African Bridge Blanks
Granadillo Bridge Blanks
Indian Laurel Bridge Blanks
Indian Rosewood Bridge Blanks
Katalox Bridge Blanks
Macassar Ebony Bridge Blanks
Malaysian Blackwood Bridge Blanks
Padauk Bridge Blanks
Pau Ferro Bridge Blanks
Purple Heart Bridge Blanks
Richlite Bridge Blanks
Rocklite Bridge Blanks
Royal Blackwood Bridge Blanks
Wenge Bridge Blanks
Ziricote Bridge Blanks
Classical Guitar Bridge Tie Block Inlays
Electric Guitar Tops
Electric Guitar Body Blanks
Honduran Mahogany Electric Guitar Body Blanks
Khaya (African Mahogany) Electric Guitar Body Blanks
Sassafras Electric Guitar Body Blanks
Swamp Ash Electric Guitar Body Blanks
Fingerboards
Pre-slotted, Pre-radiused Fingerboards
Ebony, Indian Fingerboards
Ebony, West African Fingerboards
Granadillo Fingerboards
Indian Laurel Fingerboards
Indian Rosewood Fingerboards
Katalox Fingerboards
Macacauba Fingerboards
Macassar Ebony Fingerboards
Machiche Fingerboards
Madagascar Rosewood Fingerboards
Malaysian Blackwood Fingerboards
Maple Fingerboards
Ovangkol Fingerboards
Pau Ferro Fingerboards
Pau Rosa Fingerboards
Richlite Fingerboards
Rocklite Fingerboards
Royal Blackwood Fingerboards
Wenge Fingerboards
Ziricote Fingerboards
Headplates
Wood Headplates
Headplate Veneers
Legacy Tonewoods
Necks
Precarved Classical Necks
Precarved Steel String Necks
Precarved Ukulele Necks
Neck & Heel Blanks
Honduran Mahogany Neck Blanks
Honduran Mahogany Heel Blanks
Khaya (African Mahogany) Neck Blanks
Khaya (African Mahogany) Heel Blanks
Maple Neck Blanks
Maple Heel Blanks
Peruvian Walnut Neck Blank
Peruvian Walnut Heel Blanks
Port Orford Cedar Neck Blanks
Port Orford Cedar Heel Blanks
Sapele Neck Blanks
Sapele Heel Blanks
Spanish Cedar Neck Blanks
Spanish Cedar Heel Blanks
Material for Neck Lamination
Ukulele & Flat Mandolin Tops
Adirondack (Red) Spruce Ukulele Tops
Redwood Ukulele Tops
Sitka Spruce Ukulele Tops
Ukulele and Flat Mandolin Backs and Sides
African Ebony Ukulele Back and Sides
Bhilwara Ukulele Back and Sides
Black Limba Ukulele Backs and Sides
Bloodwood Ukulele Backs and Sides
Brazilian Tigerwood Ukulele Backs and Sides
Bubinga Ukulele Backs and Sides
Cuban Mahogany Ukulele Backs and Sides
Granadillo Ukulele Backs and Sides
Honduran Mahogany Ukulele Backs and Sides
Indian Rosewood Ukulele Backs and Sides
Indian Rosewood Ukulele Back only (no sides)
Indian Rosewood Ukulele Sides Only (no back)
Ishpingo Ukulele Backs and Sides
Khaya Ukulele Backs and Sides
Khaya Ukulele Backs, Sides and Top
Macassar Ebony Ukulele Backs and Sides
Machiche Ukulele Backs and Sides
Maple, Bigleaf Ukulele Backs and Sides
Maple, European Ukulele Backs and Sides
Ovangkol Ukulele Backs and Sides
Wenge Ukulele Backs and Sides
Shop Services - Customizations
Parts
Bindings & Purflings & Trim & Backstrips
Wood Binding
Plastic Binding & Plastic Purfling Laminates
Celluloid Binding
Wood and Fiber Purfling Laminates
Marquetry Purfling
Purflex Purfling
Shell Purfling
Backstrips
Laminate Backstrips
Marquetry Backstrips
Purflex Backstrips
Wood Backstrips
Wood Strips
Archtop F-hole Binding
Bracewood
Bridge Pins & End Pins & Strap Buttons
Bridge Pins and End Pins
Strap Buttons
Electric Parts & Hardware
Electric Hardware
Electric Bridges & Tailpieces
Fender-style Electric Bridges
Electric Bridges & Tailpieces
Hipshot Bass Bridges
Schaller Hannes Electric Bridge
One Piece Electric Bridges
Electric Pickguards
Humbucker Pickup Rings
Knobs
Pickups - Electric
Pots
Switches
Wiring Components
End Graft/Heel Cap Material
Fretwire
Inlay Materials
Shell Inlay Material
Abalam Sheets
Abalam Strips, Straight & Curved
Shell Dots
Shell Inlay for Fingerboards
Shell Slab
Shell Strips
ZipFlex Strips
Reconstituted Stone Inlay Material
Wood Inlay Material
Position Markers
Teflon Strips
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Kerfed Linings for Guitar, Ukulele, Mandolin, etc.
Nomex
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Pickguards - Pre-Shaped
Pickguards - Blank Sheets
Pickups - Electric
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Bridge Reinforcements
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Soundhole Reinforcements
Carbon Fiber Reinforcements
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Schaller Classical Tuners
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Schaller Mandolin Tuners
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Guitar Shop Necessities
The LMI Digital String Height Gauge will help you to achieve the perfect set-up on your guitar so it is comfortable to play while avoiding hazards like string buzz.
Chris Monck of Highline Guitars reviews the Digital String Height Gauge:
When installing the battery do not just drop it in, make sure it is firmly inserted in front of the battery clip or your gauge won't function correctly.
Video: LMI Digital Depth and String Height Gauges.
Instructions
An absolute must if your serious about your action and measurements. My using this I realized I set the radius ever so slightly wrong on one guitar because when measured the g string was slightly higher than the b string. But I couldn’t realize that by using a string action ruler. The lines are too small and don’t go into fine enough measurements. And I could always feel it way off when I played. But now I’m certain with this digital gauge. I can set the radius with a much higher confidence. Just measure the outside e’s and gradually and evenly increase in height from the low e to the high e. You can also use it to check relief if you capo the first fret and get the 12th or last fret held down. Then measure the gap with the string as the straight edge.
I have tried 2 other string height gauges at nearly double the price and they didn't come close to the accuracy and ease of use of this gauge.
Great idea, but very poorly made. I'm a machinist by trade and build guitars as a side business so I'm use to well built tools of the trade. This is the first tool I've not had a great experience with from here. Be very careful with battery cover, the little catch pins on the side broke just getting it open to install battery, it's now taped together to work, be careful installing the battery, has to slide in a certain way or you'll bend the negative terminal strap. A bit too much slop in the slide. Ended up throwing it a drawer and going back to my calipers. Maybe the second version of this tool these issues will be addressed.
LMI Digital string height gauge
The LMI Digital String Height Gauge will help you to achieve the perfect set-up on your guitar so it is comfortable to play while avoiding hazards like string buzz.
Chris Monck of Highline Guitars reviews the Digital String Height Gauge:
The LMI Digital String Height Gauge will help you to achieve the perfect set-up on your guitar so it is comfortable to play while avoiding hazards like string buzz.
Chris Monck of Highline Guitars reviews the Digital String Height Gauge:
02/08/2023
Great Value
If Chris Monk of Highline Guitars recommends a product, then it's generally worth checking out. This digital gauge is no exception. It's simple to use and is extremely accurate. I use it the way Monk recommends, and the results are fantastic.