KWCLASSICAL

Classical Kit Wizard - price determined by choices

$0.00

The Classical Kit Wizard is set up to allow you to easily select items that are typically used in classical guitar construction. The Kit Wizard provides you with 10% off retail on all parts and 30% off on customizations (services). To get this discount, you only need to include the "required items" in the kit. See those items listed below in the detailed description. We also offer Dreadnought, OM/000, and Parlor Kit Wizard options. Start with the one closest to the guitar you are planning on building. The price on the Kit Wizard will increase or decrease as you add or modify items. 

Including customizations to your kit will add between 3 and 5 days to the preparation time, depending on the customizations included. 

  

Product Description

Don't forget to save your customization to be able to add to cart
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • No selected file .png .jpg .gif
  • No selected file .png .jpg .gif
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
  • 250 char. max
Quantity


In Stock

Click on the choices below to customize your product

Choose the plan you want to start with. We recommend the PL28 Ramirez or the PL64 Hauser as these are the plans we use for your side bending shape and other customizations.

Maximum 1. 

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Plan, 1966 Ramirez classical guitar (ref: PL28)

    Scott Antes, as is typical of his style, offers a clean, well-done, and authentic Ramirez plan.

    $13.00
    Plan, 1966 Ramirez classical guitar (ref: PL28)

    $13.00
  • 1937 Hauser classical guitar (ref: PL64)

    by Guild of American Luthiers

    Segovia called this the "guitar of the epoch". Shortly before his death, Segovia donated this instrument to the Metropolitan Museum in New York. R.E. Brune had the opportunity to study, measure, and photograph this important historical guitar in December 1991. Brune originally offered a hand-drawn plan which was difficult for new builders to use. Since then the plan has been completely re-worked by the Guild of American Luthiers and is an easy-to-read and exceptionally detailed two-page technical drawing.

    Published by the Guild of American Luthiers

    $30.68
    1937 Hauser classical guitar (ref: PL64)

    $30.68
  • Plan, 1943/1948 Hauser Sr. classical guitar (ref: PL40)

    In 1975, Jeffrey Elliott was able to x-ray and measure two Hermann Hauser Sr. instruments, a 1943 and a 1948 (both having 650mm scale lengths) and has recreated them in this plan. 24" x43".

    Published by the Guild of American Luthiers

    $24.70
    Plan, 1943/1948 Hauser Sr. classical guitar (ref: PL40)

    $24.70
  • Plan, Robert O’Brien Classical (ref: PL79)

    This is a nicely drawn 2 page set of plans for a 650mm fan-braced guitar designed by Colorado luthier Robert O’Brien (author of our very popular ”Tips du Jour” videos). Robbie has used these plans to teach many of his classical students, so they are tried and tested.

    Drawn by R. Padron.

    $13.00
    Plan, Robert O’Brien Classical (ref: PL79)

    $13.00
  • Plan, 1864 Antonio de Torres (ref: PL58)

    Torres established a strutting pattern of seven fan struts and two closing bars, which gave the soundboards on his small instruments the support they needed while allowing the wood to vibrate enough to produce a balanced sound.

    This plan produces an elegantly shaped guitar which, although smaller than some modern concert guitars, is very visually appealing. Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1864 Antonio de Torres (ref: PL58)

    $13.00
  • Plan, 1888 Antonio de Torres, short scale (ref: PL59)

    Many guitar makers find it interesting to build a small guitar, in contrast to a full-size guitar. This is an interesting design to follow - the small guitar has a surprisingly vibrant and penetrating sound, especially in the treble range. The smaller volume of air contained inside the soundbox means that the bass range is less full, but provided a well-balanced instrument is constructed, the result is usually very pleasing.

    Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1888 Antonio de Torres, short scale (ref: PL59)

    $13.00
  • Plan, 1933 Santos Hernandez Flamenco (ref: PL75)

    Santos Hernandez was the most gifted and famous maker of flamenco guitars in the 20th century. His work on perfecting the design of the flamenco guitar helped establish it as a fine instrument.

    There are two basic ways in which the flamenco guitar differs from the classical. First is in the choice of woods to use, and second is in the design and thickness of the component parts. The strutting in the flamenco is usually kept quite simple because the rather open, earthy sound is best achieved if the soundboard is not too controlled. Santos Hernandez used seven fan struts, but no closing struts at the lower end of the guitar. The weight of the guitar is kept to a minimum by using a thin soundboard, and thin Cypress for the back and ribs.

    Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1933 Santos Hernandez Flamenco (ref: PL75)

    $13.00
  • Plan, 1943 flamenco, Barbero-style (ref: PL5)

    This full-size blueprint drawn by Bill Lewis has lots of notes and comments — more than just measurements and line drawings.

    $13.00
    Plan, 1943 flamenco, Barbero-style (ref: PL5)

    $13.00
  • Plan Kasha/Schneider classical guitar, treble soundhole (ref: PL27)

    The PL27 plan drawn by George Majkowsky, has the Kasha-Schneider offset soundhole featuring the soundhole in the upper treble bout.

    $23.88
    Plan Kasha/Schneider classical guitar, treble soundhole (ref: PL27)

    $23.88
  • Plan, 1961 Robert Bouchet classical guitar (ref: PL18)

    A beautiful, sweet-sounding instrument thought to be one of Bouchet's best. It is very similar to Bream's 1964 Bouchet. The plan includes details of the rosette, purfling, banding, etc., as well as all structural details. Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1961 Robert Bouchet classical guitar (ref: PL18)

    $13.00
  • Plan, 1963 Hernández Y Aguado, No. 249, classical guitar (ref: PL19)

    This is a lightly built, Spruce top guitar with characteristically even sound over the whole range. A similar instrument, made two years later in 1965 was played by John Williams on several recordings. He then sold it to Bream, who also recorded with it (photographs of the guitar are featured on their record covers). This is an interesting guitar—a large instrument, but lightly constructed. Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1963 Hernández Y Aguado, No. 249, classical guitar (ref: PL19)

    $13.00
  • Plan, 1968 Ignacio Fleta classical guitar, No. 474 (ref: PL17)

    A large-bodied, robust instrument with a powerful sound, this plan is typical of the Cedar soundboard instruments produced by Fleta. This guitar is identical to the Fleta played by Segovia for many years. These instruments now fetch very high prices. The plan includes measurements of the Fleta bracing system. Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1968 Ignacio Fleta classical guitar, No. 474 (ref: PL17)

    $13.00
  • Plan, 1972 Daniel Friedrich classical guitar (ref: PL21)

    Daniel Friedrich builds in his Paris workshop and adopts a thoroughly scientific approach based on the Torres and Bouchet designs. He measures the stiffness of his soundboards and braces and has used both Cedar and Spruce for the top. He laminates the ribs, (since 1970) for a total thickness of 4mm! His guitars are said to possess good sustain, tone, and great power. Among the players of his instruments are Stein-Erik Olsen, the late Ida Presti, and Alexander Lagoya, who guided Friedrich in his early years as a maker. Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1972 Daniel Friedrich classical guitar (ref: PL21)

    $13.00
  • Plan, 1976 Miguel Rodriguez Jr. classical guitar (ref: PL49)

    This is a plan of a Miguel Rodrigues Jr. guitar built by San Antonio, Texas luthier Tom Blackshear. This guitar sports a five-fan strut system with a diagonal bar on the treble side. The plan has many pictures of the guitar under construction which are very helpful. Drawing by David Goen and Tim Olsen.

    Published by the Guild of American Luthiers

    $30.68
    Plan, 1976 Miguel Rodriguez Jr. classical guitar (ref: PL49)

    $30.68
  • Plan, 1990 Romanillos classical guitar (ref: PL74)

    This plan is based on a concert guitar made by Jose Romanillos at Semley, Dorset, England in 1990. It is a 4 page CAD drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, 1990 Romanillos classical guitar (ref: PL74)

    $13.00
  • Plan, 2003 Manuel Reyes flamenco guitar (ref: PL71)

    This 2003 Manuel Reyes Flamenco plan was drawn by Texas luthier, Tom Blackshear. It is a single page plan which features several color photos of specific details on this guitar. The dimensions are in English measure (fractions).

    Published by the Guild of American Luthiers

    $24.70
    Plan, 2003 Manuel Reyes flamenco guitar (ref: PL71)

    $24.70
  • Plan, Kasha/Schneider classical guitar, center soundhole (ref: PL26)

    The Kasha-Schneider plan, drawn by S.M. Adamson of England, has a center-soundhole design. This guitar design is based on research by collaborators Richard Schneider and Dr. Michael Kasha.

    $23.88
    Plan, Kasha/Schneider classical guitar, center soundhole (ref: PL26)

    $23.88
  • Plan, lattice-brace concert guitar (1995) (ref: PL76)

    In recent years a number of guitarmakers have worked with new ideas for strutting designs. One successful innovation has been the lattice braced top, of which there are many variations. The overall shape of the guitar is taken from Hermann Hauser, and within this outline are placed 10 small struts which interlock with one another, providing a strong supporting structure for the soundboard. The soundboard is thicknessed to 2mm all over. The success of this design is in the way the relatively thin soundboard is given strong but flexible support. This produces a guitar with a powerful and penetrating range of tonal colors.

    Drawing by Roy Courtnall Summerfield.

    $13.00
    Plan, lattice-brace concert guitar (1995) (ref: PL76)

    $13.00
Clear selection

Choose your back and side set from the options offered. Dreadnought, classical/000/OM and/or classical sets will work for this kit.

Many classical guitars are built using East Indian Rosewood. If you're concerned about exporting your guitar without paperwork hassles, choose an exportable wood instead.

The set you choose is the set you get but until you check out and pay for it, the set is still available for sale to other customers.

Bookmatched back and side set includes 2 bookmatched back pieces and 2 bookmatched sides.

Maximum 1.

You can't add more than 1 quantities

You must add a minimum of 1 quantities

  • African Blackwood Classical Back and Sides Thumbnail African Blackwood Classical Back and Sides
    View Category

  • Anigre Classical Back and Sides Thumbnail Anigre Classical Back and Sides
    View Category

  • Bastogne Walnut Classical Back and Sides Thumbnail Bastogne Walnut Classical Back and Sides
    View Category

  • Black Acacia Classical Back and Sides Thumbnail Black Acacia Classical Back and Sides
    View Category

  • Black Heart Sassafras Classical Back and Sides Thumbnail Black Heart Sassafras Classical Back and Sides
    View Category

  • Black Limba Classical Back and Sides Thumbnail Black Limba Classical Back and Sides
    View Category

  • Bloodwood Classical Back and Sides Thumbnail Bloodwood Classical Back and Sides
    View Category

  • Bocote Classical Back and Sides Thumbnail Bocote Classical Back and Sides
    View Category

  • Brazilian Tigerwood Classical Back and Sides Thumbnail Brazilian Tigerwood Classical Back and Sides
    View Category

  • Bubinga Classical Back and Sides Thumbnail Bubinga Classical Back and Sides
    View Category

  • Chechen Classical Back and Sides Thumbnail Chechen Classical Back and Sides
    View Category

  • Cocobolo Rosewood Classical Back and Sides Thumbnail Cocobolo Rosewood Classical Back and Sides
    View Category

  • Granadillo Classical Back and Sides Thumbnail Granadillo Classical Back and Sides
    View Category

  • Honduran Mahogany Classical Back and Sides Thumbnail Honduran Mahogany Classical Back and Sides
    View Category

  • Indian Laurel Classical Back and Sides Thumbnail Indian Laurel Classical Back and Sides
    View Category

  • Indian Rosewood Classical Back and Sides Thumbnail Indian Rosewood Classical Back and Sides
    View Category

  • Ishpingo Classical Back and Sides Thumbnail Ishpingo Classical Back and Sides
    View Category

  • Katalox Classical Back and Sides Thumbnail Katalox Classical Back and Sides
    View Category

  • Khaya Classical Back and Sides Thumbnail Khaya Classical Back and Sides
    View Category

  • Koa Classical Back and Sides Thumbnail Koa Classical Back and Sides
    View Category

  • Macassar Ebony Classical Back and Sides Thumbnail Macassar Ebony Classical Back and Sides
    View Category

  • Machiche Classical  Back and Sides Thumbnail Machiche Classical Back and Sides
    View Category

  • Maple, American Classical Back and Sides Thumbnail Maple, American Classical Back and Sides
    View Category

  • Maple, European Classical Back and Sides Thumbnail Maple, European Classical Back and Sides
    View Category

  • Myrtle Classical Back and Sides Thumbnail Myrtle Classical Back and Sides
    View Category

  • Ovangkol Classical Back and Sides Thumbnail Ovangkol Classical Back and Sides
    View Category

  • Padauk Classical Back and Sides Thumbnail Padauk Classical Back and Sides
    View Category

  • Peruvian Walnut Classical Back and Sides Thumbnail Peruvian Walnut Classical Back and Sides
    View Category

  • Pumaquiro Classical  Back and Sides Thumbnail Pumaquiro Classical Back and Sides
    View Category

  • Red Mountain Cedar Classical Back and Sides Thumbnail Red Mountain Cedar Classical Back and Sides
    View Category

  • Sapele Classical Back and Sides Thumbnail Sapele Classical Back and Sides
    View Category

  • Southeast Asian Classical Back and Sides Thumbnail Southeast Asian Classical Back and Sides
    View Category

  • Spanish Cypress Classical Back and Sides Thumbnail Spanish Cypress Classical Back and Sides
    View Category

  • Tzalam Classical Back and Sides Thumbnail Tzalam Classical Back and Sides
    View Category

  • Walnut, Black Classical Back and Sides Thumbnail Walnut, Black Classical Back and Sides
    View Category

  • White Ash Classical Back and Sides Thumbnail White Ash Classical Back and Sides
    View Category

  • Ziricote Classical Back and Sides Thumbnail Ziricote Classical Back and Sides
    View Category

Clear selection

We can bend sides to a classical guitar shape based on our PL64/PL28/PL40 plans (they are all very similar). The sides are sanded to approximately .090" and rough tapered from 3.75" at the upper bout to 4.5" at the lower bout. Don't make a choice if you plan on doing this yourself. We recommend to new builders that they have us bend their sides the first time around.

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Bend sides to classical shape based on our PL42/PL64 plan (ref: SVSBC)

    $35.00
    Bend sides to classical shape based on our PL42/PL64 plan (ref: SVSBC)

    $35.00
Clear selection

If you have opted to have your sides bent, do not choose any side options here, choose only back customizations. If you are having your sides bent, we recommend: Join back only and sand to .095".

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Join back and sand to .095", sand sides to .090" - choose this if you are not having sides bent (ref: SVBJS)

    $24.50
    Join back and sand to .095", sand sides to .090" - choose this if you are not having sides bent (ref: SVBJS)

    $24.50
  • Join back only and sand to .095" - choose this if you are having sides bent (ref: SVBJ)

    $17.50
    Join back only and sand to .095" - choose this if you are having sides bent (ref: SVBJ)

    $17.50
  • Sand unjoined back to .100", sand sides to .090" - choose if you are not having sides bend and you don't want your back joined (ref: SVBS)

    $17.50
    Sand unjoined back to .100", sand sides to .090" - choose if you are not having sides bend and you don't want your back joined (ref: SVBS)

    $17.50
  • Sand unjoined back only to .100" - choose if you are having sides bent or you don't want sides sanded. Back will not be joined. (ref: SVBOS)

    $10.50
    Sand unjoined back only to .100" - choose if you are having sides bent or you don't want sides sanded. Back will not be joined. (ref: SVBOS)

    $10.50
  • Sand sides only to .090" - choose this if you don't want your back joined or sanded. (ref: SVSOS)

    $10.50
    Sand sides only to .090" - choose this if you don't want your back joined or sanded. (ref: SVSOS)

    $10.50
Clear selection

If you have elected to have us join your back, you may also wish to have us profile it. We will profile your back to a classical shape leaving approximately 1/4 inch of extra material beyond the outline. This excess material can be removed later, once your box is complete, using a router with a flush trim bit or by other appropriate means.

You can't add more than 0 quantities

You must add a minimum of 0 quantities

  • Profile joined back to classical shape based on our PL42/PL64 plan (ref: SVPBC)

    $3.50
    Profile joined back to classical shape based on our PL42/PL64 plan (ref: SVPBC)

    $3.50
Clear selection

Choose an optional backstrip - the feature strip that goes down the back of the guitar. You will be given the option to have it installed in the next step.

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Laminate Backstrips Thumbnail Laminate Backstrips
    View Category

  • Marquetry Backstrips Thumbnail Marquetry Backstrips
    View Category

  • Wood Backstrips Thumbnail Wood Backstrips
    View Category

Clear selection

Have us install your backstrip. You must have chosen a backstrip and asked us to join your back in the previous selections. We sandwich the backstrip in between the back plates rather than rout and inlay.

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Insert backstrip (ref: SVBI)

    $3.50
    Insert backstrip (ref: SVBI)

    Backstrips are joined into the back, not routed. 

    $3.50
Clear selection

Choose your 2-piece bookmatched soundboard. We recommend a 3A Cedar or Engelmann Spruce top. Dreadnought, classical/000/OM and/or classical sets will work for this kit. >

In some cases, you are able to select this individual piece wood to include in your kit (“select a set”). Please note that until you pay for your order, that piece of wood is available for sale to other customers.

Maximum 1.

You can't add more than 1 quantities

You must add a minimum of 1 quantities

  • Adirondack (Red) Spruce Classical Tops Thumbnail Adirondack (Red) Spruce Classical Tops
    View Category

  •  Carpathian Spruce Classical Tops Thumbnail Carpathian Spruce Classical Tops
    View Category

  • Engelmann Spruce Classical Tops Thumbnail Engelmann Spruce Classical Tops
    View Category

  • German Spruce Classical Tops Thumbnail German Spruce Classical Tops
    View Category

  • Italian Alpine Spruce Classical Tops Thumbnail Italian Alpine Spruce Classical Tops
    View Category

  • Port Orford Cedar Classical Tops Thumbnail Port Orford Cedar Classical Tops
    View Category

  • Redwood Classical Tops Thumbnail Redwood Classical Tops
    View Category

  • Sitka Spruce Classical Tops Thumbnail Sitka Spruce Classical Tops
    View Category

  • Western Red Cedar Classical Tops Thumbnail Western Red Cedar Classical Tops
    View Category

  • Yellow Cedar Classical Tops Thumbnail Yellow Cedar Classical Tops
    View Category

Clear selection

Choose your rosette. In the next step, if you choose to have it inlaid, we will inlay it as shown in the drawing. If you choose not to have it inlaid, the drawing is a suggestion of how you could inlay it yourself. 

Maximum 1.

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Classical Guitar Rosettes - Kit Wizard Thumbnail Classical Guitar Rosettes - Kit Wizard
    View Category

Clear selection

If you would like to have your rosette inlaid, we will inlay it as shown in the rosette photograph. This customization includes the joining and thickness sanding of your soundboard to approximately .110".

You can't add more than 0 quantities

You must add a minimum of 0 quantities

  • Inlay rosette as show in drawing (ref: SVRI)

    $45.50
    Inlay rosette as show in drawing (ref: SVRI)

    $45.50
Clear selection

Choose how you want your top serviced. If you are inlaying a rosette, skip this step as the joining is included with a rosette inlay. 

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Join and sand top to .115" - skip this step if you are having your rosette inlaid. (ref: SVTJS115)

    $17.50
    Join and sand top to .115" - skip this step if you are having your rosette inlaid. (ref: SVTJS115)

    $17.50
  • Join and sand top to .110" - skip this step if you are having your rosette inlaid. (ref: SVTJS110)

    $17.50
    Join and sand top to .110" - skip this step if you are having your rosette inlaid. (ref: SVTJS110)

    $17.50
  • Sand unjoined top to .115" - skip this step if you are having your rosette inlaid. (ref: SVT115)

    $17.50
    Sand unjoined top to .115" - skip this step if you are having your rosette inlaid. (ref: SVT115)

    $17.50
  • Sand unjoined top to .110" - skip this step if you are having your rosette inlaid. (ref: SVT110)

    $17.50
    Sand unjoined top to .110" - skip this step if you are having your rosette inlaid. (ref: SVT110)

    $17.50
Clear selection

If you have elected to have us join your top, you may also wish to have us profile it. We will profile your soundboard to a dreadnought shape leaving approximately 1/4 inch of extra material beyond the outline. This excess material can be removed later, once your box is complete, using a router with a flush trim bit or by other appropriate means.

You can't add more than 0 quantities

You must add a minimum of 0 quantities

  • Profile joined top to classical shape based on our PL42/PL64 plan (ref: SVPTC)

    $3.50
    Profile joined top to classical shape based on our PL42/PL64 plan (ref: SVPTC)

    $3.50
Clear selection

Choose your fingerboard or fretboard. We recommend one of the following: FBAE1STD, African Ebony - FBIE1STD - Indian Ebony or  FBRW1STDUS - Indian Rosewood. You can add a slotting customization in the next step.

Maximum 1. 

You can't add more than 1 quantities

You must add a minimum of 1 quantities

  • African Blackwood Classical Fingerboards Thumbnail African Blackwood Classical Fingerboards
    View Category

  • Cocobolo Rosewood Classical Fingerboards Thumbnail Cocobolo Rosewood Classical Fingerboards
    View Category

  • Ebony, Indian Classical Fingerboards Thumbnail Ebony, Indian Classical Fingerboards
    View Category

  • Ebony, West African Classical Fingerboards Thumbnail Ebony, West African Classical Fingerboards
    View Category

  • Granadillo Classical Fingerboards Thumbnail Granadillo Classical Fingerboards
    View Category

  • Indian Rosewood Classical Fingerboards Thumbnail Indian Rosewood Classical Fingerboards
    View Category

  • Katalox Classical Fingerboards Thumbnail Katalox Classical Fingerboards
    View Category

  • Macacauba ClassicalFingerboards Thumbnail Macacauba ClassicalFingerboards
    View Category

  • Macassar Ebony Classical Fingerboards Thumbnail Macassar Ebony Classical Fingerboards
    View Category

  • Machiche Classical Fingerboards Thumbnail Machiche Classical Fingerboards
    View Category

  • Maple Classical Fingerboards Thumbnail Maple Classical Fingerboards
    View Category

  • Padauk Classical Fingerboards Thumbnail Padauk Classical Fingerboards
    View Category

  • Pau Ferro Classical Fingerboards Thumbnail Pau Ferro Classical Fingerboards
    View Category

  • Richlite Classical Fingerboards Thumbnail Richlite Classical Fingerboards
    View Category

  • Rocklite Classical Fingerboards Thumbnail Rocklite Classical Fingerboards
    View Category

  • Ziricote Classical Fingerboards Thumbnail Ziricote Classical Fingerboards
    View Category

Clear selection

**You must have selected a fingerboard to use this service.

**If you choose to have your fingerboard slotted, you must make a selection in the remaining fingerboard customizations as well. If you do not make choices, we will choose the following for you: Slot Depth - .095", Nut Slot Position - Standard Nut Slot Position, Nut Slot Offset - 1/8" behind the nut. 

Enter a scale length between 8" and 40". Use the fingerboard calculator in the LMI Help Center to be sure your choices will fit on the board you chose. A common classical scale length is 650mm or 25.59"

To convert mm to inches, divide the mm by a factor of 25.4. Ex: 660mm divided by 25.4 equals  25.98" inches. 

**If you choose to have your fingerboard slotted, you must make a selection in the remaining fingerboard customizations as well. 

Enter the number of fret slots desired (not including the nut slot). A typical number of slots on a classical guitar is 19 slots. 

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • 10 fret slots (ref: SVNF10)

    $0.00
    10 fret slots (ref: SVNF10)

    $0.00
  • 11 fret slots (ref: SVNF11)

    $0.00
    11 fret slots (ref: SVNF11)

    $0.00
  • 12 fret slots (ref: SVNF12)

    $0.00
    12 fret slots (ref: SVNF12)

    $0.00
  • 13 fret slots (ref: SVNF13)

    $0.00
    13 fret slots (ref: SVNF13)

    $0.00
  • 14 fret slots (ref: SVNF14)

    $0.00
    14 fret slots (ref: SVNF14)

    $0.00
  • 15 fret slots (ref: SVNF15)

    $0.00
    15 fret slots (ref: SVNF15)

    $0.00
  • 16 fret slots (ref: SVNF16)

    $0.00
    16 fret slots (ref: SVNF16)

    $0.00
  • 17 fret slots (ref: SVNF17)

    $0.00
    17 fret slots (ref: SVNF17)

    $0.00
  • 18 fret slots (ref: SVNF18)

    $0.00
    18 fret slots (ref: SVNF18)

    $0.00
  • 19 fret slots (ref: SVNF19)

    $0.00
    19 fret slots (ref: SVNF19)

    $0.00
  • 20 fret slots (ref: SVNF20)

    $0.00
    20 fret slots (ref: SVNF20)

    $0.00
  • 21 fret slots (ref: SVNF21)

    $0.00
    21 fret slots (ref: SVNF21)

    $0.00
  • 22 fret slots (ref: SVNF22)

    $0.00
    22 fret slots (ref: SVNF22)

    $0.00
  • 23 fret slots (ref: SVNF23)

    $0.00
    23 fret slots (ref: SVNF23)

    $0.00
  • 24 fret slots (ref: SVNF24)

    $0.00
    24 fret slots (ref: SVNF24)

    $0.00
  • 25 fret slots (ref: SVNF25)

    $0.00
    25 fret slots (ref: SVNF25)

    $0.00
  • 26 fret slots (ref: SVNF26)

    $0.00
    26 fret slots (ref: SVNF26)

    $0.00
  • 27 fret slots (ref: SVNF27)

    $0.00
    27 fret slots (ref: SVNF27)

    $0.00
  • 28 fret slots (ref: SVNF28)

    $0.00
    28 fret slots (ref: SVNF28)

    $0.00
  • 29 fret slots (ref: SVNF29)

    $0.00
    29 fret slots (ref: SVNF29)

    $0.00
  • 30 fret slots (ref: SVNF30)

    $0.00
    30 fret slots (ref: SVNF30)

    $0.00
  • 31 fret slots (ref: SVNF31)

    $0.00
    31 fret slots (ref: SVNF31)

    $0.00
  • 32 fret slots (ref: SVNF32)

    $0.00
    32 fret slots (ref: SVNF32)

    $0.00
  • 33 fret slots (ref: SVNF33)

    $0.00
    33 fret slots (ref: SVNF33)

    $0.00
  • 34 fret slots (ref: SVNF34)

    $0.00
    34 fret slots (ref: SVNF34)

    $0.00
Clear selection

**If you choose to have your fingerboard slotted, you must make a selection in the remaining fingerboard customizations as well. 

Nut Position - Choose either the Standard or Zero Fret nut position option. The Standard nut slot moves the kerf back half the width of the slot. Our slots are .024”, so we move it back .012”. This puts the string’s breakaway point (the edge of the nut) at “true zero”. The Zero Fret option places the nut slot so that it is centered at the zero point of the scale. This works for those who install a zero fret – a fret at the nut position (with the actual nut getting placed just behind it to position the string spacing and guide the strings towards the tuning machines). Some players like a guitar with a zero fret as it helps eliminate the tonal differences between fretted and unfretted notes but it is not traditional on a classical guitar.

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Standard nut slot position (ref: SVFSN)

    $0.00
    Standard nut slot position (ref: SVFSN)

    $0.00
  • Zero nut slot position (ref: SVFZN)

    $0.00
    Zero nut slot position (ref: SVFZN)

    $0.00
Clear selection

Choose the nut slot offset. There will be this much wood left behind the nut position. 1/4" is pretty typical. 

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • .125" space behind the nut (ref: SVFSNO.125)

    $0.00
    .125" space behind the nut (ref: SVFSNO.125)

    $0.00
  • .250" space behind the nut (ref: SVFSNO.25)

    $0.00
    .250" space behind the nut (ref: SVFSNO.25)

    $0.00
  • .375" space behind the nut (ref: SVFSNO.375)

    $0.00
    .375" space behind the nut (ref: SVFSNO.375)

    $0.00
  • .5" space behind the nut (ref: SVFSNO.5)

    $0.00
    .5" space behind the nut (ref: SVFSNO.5)

    $0.00
  • .75" space behind the nut (ref: SVFSNO.75)

    $0.00
    .75" space behind the nut (ref: SVFSNO.75)

    $0.00
  • 1.0" space behind the nut (ref: SVFSNO1)

    $0.00
    1.0" space behind the nut (ref: SVFSNO1)

    $0.00
Clear selection

Fingerboards included in this kit measure 5/16". Many people prefer a 1/4" board. You can have us thin your board a bit more here. 

Expect 5% +/- tolerance. 

You can't add more than 1 quantities

You must add a minimum of 0 quantities

  • Sand unradiused fingerboard to .187" thick (ref: SVFT187)

    $4.90
    Sand unradiused fingerboard to .187" thick (ref: SVFT187)

    $4.90
  • Sand unradiused fingerboard to .250" thick (ref: SVFT250)

    $4.90
    Sand unradiused fingerboard to .250" thick (ref: SVFT250)

    $4.90
Clear selection

Wood or plastic that protects the end grain of the back or top. Depending on the length of the product you will need 1 or 2 for the top, another 1 or 2 for the back and 1 or 2 for the fingerboard (normally left unbound). There should be enough remaining for an end graft if desired.

Rosewood is a pretty standard choice here but cannot be exported outside the United States. Indian Ebony is also popular.

Maximum 6. 

You can't add more than 6 quantities

You must add a minimum of 0 quantities

  • Binding, Bloodwood, w/Maple lam

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $4.97

    Volume discounts

    Quantity Price You Save
    12 $4.76 Up to $2.48
    Binding, Bloodwood, w/Maple lam (ref: WBBWLM1)

    Item Details
    $4.97
  • Binding, Boxwood

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $3.44

    Volume discounts

    Quantity Price You Save
    12 $3.30 Up to $1.73
    Binding, Boxwood (ref: WBBX1)

    Item Details
    $3.44
  • Binding, Camatillo

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $3.99

    Volume discounts

    Quantity Price You Save
    12 $3.82 Up to $2.01
    Binding, Camatillo (ref: WBCA1)

    Restricted Item Details
    $3.99
  • Binding, Cocobolo Rosewood

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $4.15

    Volume discounts

    Quantity Price You Save
    12 $3.98 Up to $2.07
    Binding, Cocobolo Rosewood (ref: WBCB1)

    Restricted Item Details
    $4.15
  • Binding, Cocobolo Rosewood w/Maple lam

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $4.97

    Volume discounts

    Quantity Price You Save
    12 $4.76 Up to $2.48
    Binding, Cocobolo Rosewood w/Maple lam (ref: WBCBLM1)

    Restricted Item Details
    $4.97
  • Binding, Indian Ebony

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $9.10
    Binding, Indian Ebony (ref: WBIE1)

    Item Details
    $9.10
  • Binding, Indian Rosewood

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $3.44

    Volume discounts

    Quantity Price You Save
    12 $3.30 Up to $1.73
    Binding, Indian Rosewood (ref: WBRW1)

    Restricted Item Details
    $3.44
  • Binding, Indian Rosewood w/Maple lam

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $4.97

    Volume discounts

    Quantity Price You Save
    12 $4.76 Up to $2.48
    Binding, Indian Rosewood w/Maple lam (ref: WBRWLM1)

    Restricted Item Details
    $4.97
  • Binding, Mahogany, strong flame

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $4.85

    Volume discounts

    Quantity Price You Save
    12 $4.65 Up to $2.41
    Binding, Mahogany, strong flame (ref: WBHMFL1)

    Item Details
    $4.85
  • Binding, Maple

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $3.44

    Volume discounts

    Quantity Price You Save
    12 $3.30 Up to $1.73
    Binding, Maple (ref: WBMP1)

    Item Details
    $3.44
  • Binding, Maple European, strong flame

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $4.15

    Volume discounts

    Quantity Price You Save
    12 $3.98 Up to $2.07
    Binding, Maple European, strong flame (ref: WBEM1)

    Item Details
    $4.15
  • Binding, Maple w/Rosewood lam

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    Shipping Restrictions: USA Only

    $4.97

    Volume discounts

    Quantity Price You Save
    12 $4.76 Up to $2.48
    Binding, Maple w/Rosewood lam (ref: WBMPLM1)

    Restricted Item Details
    $4.97
  • Binding, Maple, good flame

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $3.28

    Volume discounts

    Quantity Price You Save
    12 $3.14 Up to $1.67
    Binding, Maple, good flame (ref: WBMPFL2)

    Item Details
    $3.28
  • Binding, Maple, strong flame

    Wood binding serves to protect the corners of the instrument as well as seal the end grain of the soundboard and back. Many of our bindings have matching backstrips.

    $3.99

    Volume discounts

    Quantity Price You Save
    12 $3.82 Up to $2.01
    Binding, Maple, strong flame (ref: WBMPFL1)

    Item Details
    $3.99
  • Binding, black Boltaron

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.55

    Volume discounts

    Quantity Price You Save
    12 $3.40 Up to $1.81
    Binding, black Boltaron (ref: PB2)

    Item Details
    $3.55
  • Binding, black, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.55

    Volume discounts

    Quantity Price You Save
    12 $3.40 Up to $1.81
    Binding, black, ABS (ref: PB4)

    Item Details
    $3.55
  • Binding, BW 20/20, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.55

    Volume discounts

    Quantity Price You Save
    12 $3.40 Up to $1.81
    Binding, BW 20/20, ABS (ref: PBLM1)

    Item Details
    $3.55
  • Binding, BWB 15/25/40, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, BWB 15/25/40, ABS (ref: PBLM6)

    Item Details
    $3.76
  • Binding, BWB 15/60/15, ABS

    The chemical names for plastic acronyms are as follows:

    • ABS - Acrylonitrile butadiene styrene
    • PVC - Polyvinyl chloride
    • CAB - Cellulose Acetate Butyrate
    • Boltaron™ - an extruded ABS/PVC Alloy.

    NOTE: We offer the 4 different plastic compositions because not all dimensions are available in one particular type of plastic. All 4 compositions behave similarly and can be glued up using our binding adhesives.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, BWB 15/60/15, ABS (ref: PBLM9)

    Item Details
    $3.76
  • Binding, BWB 20/20/20, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, BWB 20/20/20, ABS (ref: PBLM3)

    Item Details
    $3.76
  • Binding, BWB 30/30/30, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, BWB 30/30/30, ABS (ref: PBLM7)

    Item Details
    $3.76
  • Binding, BWBW 20/20/20/20, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, BWBW 20/20/20/20, ABS (ref: PBLM5)

    Item Details
    $3.76
  • Binding, cream, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $4.85

    Volume discounts

    Quantity Price You Save
    12 $4.65 Up to $2.41
    Binding, cream, ABS (ref: PB1)

    Item Details
    $4.85
  • Binding, WBW 20/20/20, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.61 Up to $1.85
    Binding, WBW 20/20/20, ABS (ref: PBLM4)

    Item Details
    $3.76
  • Binding, WBW 30/30/30, ABS

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.76

    Volume discounts

    Quantity Price You Save
    12 $3.60 Up to $1.89
    Binding, WBW 30/30/30, ABS (ref: PBLM8)

    Item Details
    $3.76
  • Binding, white Boltaron

    Plastic makes a good binding/purfling due to its resiliency and ease in bending. You can rip the laminated bindings to use as purfling. Although our plastic binding is cut as cleanly as possible, it might be necessary to run the binding strips over a file (in a vice) prior to installation to further smooth out the edge.

    $3.55

    Volume discounts

    Quantity Price You Save
    12 $3.40 Up to $1.81
    Binding, white Boltaron (ref: PB3)

    Item Details
    $3.55

Tell us how many pieces of your binding you want to have bent to a classical shape based on the PL28/PL64 plans. 

Price shown is per piece of binding bent. 

Maximum 6

You can't add more than 6 quantities

You must add a minimum of 0 quantities

  • Bend binding to classical shape based on our PL28/PL64 plans

    $3.50
    Bend binding to classical shape based on our PL28/PL64 plans (SVBBC)

    Item Details
    $3.50

Purfling goes between the binding and the top or back and provides contrast and beauty.  Depending on the length of the product you will need 1 or 2 for the top and 1 or 2 for the back. There should be enough remaining for an end graft if desired. You will find wood strips here as well. 

The longer 64" purflings are easy as there is no joint required at the butt of the guitar. 

Maximum 8.

You can't add more than 8 quantities

You must add a minimum of 0 quantities

  • Purfling, BW 10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $3.22

    Volume discounts

    Quantity Price You Save
    12 $3.09 Up to $1.57
    Purfling, BW 10/10 (ref: PFLMLG1)

    Item Details
    $3.22
  • Purfling, BW 10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.08

    Volume discounts

    Quantity Price You Save
    12 $1.99 Up to $1.03
    Purfling, BW 10/10 (ref: PFLMSH2)

    Item Details
    $2.08
  • Purfling, BW 10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.08

    Volume discounts

    Quantity Price You Save
    12 $1.99 Up to $1.03
    Purfling, BW 10/10 (ref: PFLMSH1)

    Item Details
    $2.08
  • Purfling, BW 20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $3.22

    Volume discounts

    Quantity Price You Save
    12 $3.09 Up to $1.57
    Purfling, BW 20/20 (ref: PFLMLG3)

    Item Details
    $3.22
  • Purfling, BW 20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.08

    Volume discounts

    Quantity Price You Save
    12 $1.99 Up to $1.03
    Purfling, BW 20/20 (ref: PFLMSH6)

    Item Details
    $2.08
  • Purfling, BW 20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.08

    Volume discounts

    Quantity Price You Save
    12 $2.00 Up to $0.99
    Purfling, BW 20/20 (ref: PFLMSH4)

    Item Details
    $2.08
  • Purfling, BW 20/20, PVC

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $1.82

    Volume discounts

    Quantity Price You Save
    12 $1.75 Up to $0.89
    Purfling, BW 20/20, PVC (ref: PFPLLM2)

    Item Details
    $1.82
  • Purfling, BW 20/20, PVC

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $1.82

    Volume discounts

    Quantity Price You Save
    12 $1.75 Up to $0.89
    Purfling, BW 20/20, PVC (ref: PFPLLM1)

    Item Details
    $1.82
  • Purfling, BW diagonal check, framed in white

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling". These all-wood marquetry strips add an appealing visual element to distinguish your instrument.

    $4.76

    Volume discounts

    Quantity Price You Save
    12 $4.55 Up to $2.50
    Purfling, BW diagonal check, framed in white (ref: PFMQ4)

    Item Details
    $4.76
  • Purfling, BW/brown, white framed

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling". These all-wood marquetry strips add an appealing visual element to distinguish your instrument.

    $4.76

    Volume discounts

    Quantity Price You Save
    12 $4.56 Up to $2.44
    Purfling, BW/brown, white framed (ref: PFMQ7)

    Item Details
    $4.76
  • Purfling, BWB 10/10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $4.48

    Volume discounts

    Quantity Price You Save
    12 $4.29 Up to $2.30
    Purfling, BWB 10/10/10 (ref: PFLMLG2)

    Item Details
    $4.48
  • Purfling, BWB 10/10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.57

    Volume discounts

    Quantity Price You Save
    12 $2.46 Up to $1.33
    Purfling, BWB 10/10/10 (ref: PFLMSH3)

    Item Details
    $2.57
  • Purfling, BWB 10/20/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.23

    Volume discounts

    Quantity Price You Save
    12 $2.14 Up to $1.09
    Purfling, BWB 10/20/10 (ref: PFLMSH5)

    Item Details
    $2.23
  • Purfling, BWB 10/20/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $4.48

    Volume discounts

    Quantity Price You Save
    12 $4.29 Up to $2.30
    Purfling, BWB 10/20/10 (ref: PFLMLG4)

    Item Details
    $4.48
  • Purfling, BWB 20/20/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $1.65

    Volume discounts

    Quantity Price You Save
    12 $1.58 Up to $0.83
    Purfling, BWB 20/20/10 (ref: PFLMSH7)

    Item Details
    $1.65
  • Purfling, BWB 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.23

    Volume discounts

    Quantity Price You Save
    12 $2.14 Up to $1.09
    Purfling, BWB 20/20/20 (ref: PFLMSH8)

    Item Details
    $2.23
  • Purfling, BWB 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $4.48

    Volume discounts

    Quantity Price You Save
    12 $4.29 Up to $2.28
    Purfling, BWB 20/20/20 (ref: PFLMLG5)

    Item Details
    $4.48
  • Purfling, BWB 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.57

    Volume discounts

    Quantity Price You Save
    12 $2.46 Up to $1.33
    Purfling, BWB 20/20/20 (ref: PFLMSH9)

    Item Details
    $2.57
  • Purfling, BWB 20/20/20, PVC

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $1.88

    Volume discounts

    Quantity Price You Save
    12 $1.80 Up to $0.99
    Purfling, BWB 20/20/20, PVC (ref: PFPLLM3)

    Item Details
    $1.88
  • Purfling, BWBW 20/20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $3.01

    Volume discounts

    Quantity Price You Save
    12 $2.88 Up to $1.53
    Purfling, BWBW 20/20/20/20 (ref: PFLMSH14)

    Item Details
    $3.01
  • Purfling, BWBW 20/20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $3.01
    Purfling, BWBW 20/20/20/20 (ref: PFLMSH13)

    Item Details
    $3.01
  • Purfling, herringbone, bold

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling". These all-wood marquetry strips add an appealing visual element to distinguish your instrument.

    $4.76

    Volume discounts

    Quantity Price You Save
    12 $4.56 Up to $2.44
    Purfling, herringbone, bold (ref: PFMQ6)

    Item Details
    $4.76
  • Purfling, herringbone, fine

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling". These all-wood marquetry strips add an appealing visual element to distinguish your instrument.

    $4.76

    Volume discounts

    Quantity Price You Save
    12 $4.56 Up to $2.44
    Purfling, herringbone, fine (ref: PFMQ5)

    Item Details
    $4.76
  • Purfling, WBW 10/10/10

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $4.48

    Volume discounts

    Quantity Price You Save
    12 $4.29 Up to $2.30
    Purfling, WBW 10/10/10 (ref: PFLMLG7)

    Item Details
    $4.48
  • Purfling, WBW 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $3.55
    Purfling, WBW 20/20/20 (ref: PFLMLG6)

    Item Details
    $3.55
  • Purfling, WBW 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.57

    Volume discounts

    Quantity Price You Save
    12 $2.46 Up to $1.33
    Purfling, WBW 20/20/20 (ref: PFLMSH12)

    Item Details
    $2.57
  • Purfling, WBW 20/20/20

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $2.57

    Volume discounts

    Quantity Price You Save
    12 $2.46 Up to $1.33
    Purfling, WBW 20/20/20 (ref: PFLMSH11)

    Item Details
    $2.57
  • Purfling, WBW 20/20/20, PVC

    Anything on the edge of an instrument that isn't the outermost edge (binding) is called "purfling".

    Fiber veneer is very flexible and no bending is needed prior to installation. Wood veneer may need to be bent to avoid breakage depending on the shape of the instrument you are building and the number of laminates in the layup. One can sometimes us a simple household iron to bend these to the appropriate shape. These laminates should not be soaked.

    $1.88

    Volume discounts

    Quantity Price You Save
    12 $1.80 Up to $0.99
    Purfling, WBW 20/20/20, PVC (ref: PFPLLM4)

    Item Details
    $1.88
  • Wood strip, black

    Wood strips add a nice bit of color to a purfling/binding combination.

    $1.42

    Volume discounts

    Quantity Price You Save
    12 $1.36 Up to $0.67
    Wood strip, black (ref: WSBK2)

    Item Details
    $1.42
  • Wood strip, black

    Wood strips add a nice bit of color to a purfling/binding combination.

    $1.42

    Volume discounts

    Quantity Price You Save
    12 $1.36 Up to $0.67
    Wood strip, black (ref: WSBK1)

    Item Details
    $1.42
  • Wood strip, Bloodwood

    Wood strips add a nice bit of color to a purfling/binding combination.

    $2.03

    Volume discounts

    Quantity Price You Save
    12 $1.94 Up to $1.05
    Wood strip, Bloodwood (ref: WSBW2)

    Item Details
    $2.03
  • Wood strip, Bloodwood

    Wood strips add a nice bit of color to a purfling/binding combination.

    $1.42

    Volume discounts

    Quantity Price You Save
    12 $1.36 Up to $0.67
    Wood strip, Bloodwood (ref: WSBW1)

    Item Details
    $1.42