Robbie O’Brien uses shellac and sawdust to pore fill his instrument.
Today’s Tips du Jour Mailbag question comes to us from North Carolina.
“Dear Robert, I am interested in learning about your shellac and sawdust method of pore filling. Could you explain how you use this technique? – David in North Carolina”
David, there are many ways to fill the pores before you do your finish work. I actually think that filling the pores and surface prep is part of the finish because the finish is only as good as what’s underneath it.
Now over the years, I’ve used many methods for pore filling. One of my most popular videos on YouTube is how to use drywall compound for the pore filling process. To fill the pores, all you need is a resin and some kind of binding agent. You’re going to need to make the resin or the filler. In this case, I’m going to use end grain sawdust. Now the beauty of that is it always matches the color of the species you’re using. You always have scraps laying around of Rosewood, Mahogany, Spanish Cedar. So you use those to fill the pores and you have an instant color match. All I do is use my sander. I wrap a piece of newspaper around the dust port and I sand the end grain so that it’s collected in the newspaper. I put that in some kind of salt/spice shaker type thing and that’s what I use to fill the pores.
So let me show you how I do that. So this is a piece of Spanish Cedar. I’m going to be using the end grain here – not this side or this side but the end grain – and it makes a very, very fine powder. The dust that is collected is then placed into some kind of salt shaker and I’m ready to go to work.
I’m going to start by just taking my end grain sawdust and sprinkling some across the neck like that. I then come in with a one-pound cut of shellac. If you go with anything higher than that – two-pound or three-pound – it gets a little gummy on there and you don’t want it to get gummy. That’s a technical term. You don’t want to work too wet. You get it too wet, you get sticky. Then just put it on there and rub it into the pores like this. When you do it, you want to not leave any residue on there because if you leave a big build-up of residue, you have to sand pretty aggressively to get that off. If you sand aggressively, then you wind up just taking it right back out of the pores. And that is counterproductive.
Along the heel here, you’ve got the open end grain so it needs to be filled at least two or three times. It’s pretty porous along there. You can also place a little bit on the cotton ball itself and rub it in like that. This dries very quickly – that’s another benefit to this method because you can lightly sand it, you can rinse and repeat, do it again, and things get filled up really quickly here. So it’s a really nice method. And I’ve already mentioned the fact that the pore filler matches the color of the species of wood that you’re working with perfectly every time because you’re using the same species of wood for your filler.
I’m going to add just a little bit of shellac to the same cotton ball. Notice how I’m kind of doing circular motions, going across the grain, making sure it all gets worked in there really well. I’m working pretty dry with this cotton ball here. Notice I’ve only charged it up a couple of times. And don’t forget to do across the end of the peghead – there’s some pretty porous grain up there. And there we go.
So, it’s already pretty much dry to the touch. So now that it’s dry just take some regular 220 or even 320 and just lightly hit the area that got the pore fill – emphasis on the lightly. You don’t want to yank it back out of the pores.
So once you get done lightly sanding it, don’t blow the dust off. You want to use that dust to your advantage. Then you want to come in again and put another little light coat of the end grain sawdust on there, a little bit of one pound shellac again, and once again, just work it into the pores. If we were washing our hair, we would call this the wash, rinse and repeat stage here.
Now this pore fill works good under any type of finish – oil, water-based, solvents, lacquers, any of that kind of stuff. One of the cool things about it is it’s very quick so you don’t need overnight dry time on your pore fill like an epoxy or an oil-based pore filler or something like that. So you can just move forward very quickly.
There we go – took me all of about what, 25 minutes? I’ll let that dry for a couple of seconds, I’ll come in and lightly hit it again with the 220, and I’m ready to proceed with the finish.
So David, thank you very much for your question and I hope you find this information useful.