Products

Testimonials

“I keep meaning to send an email and let you know that I got the prem. Indian Rosewood and was very pleased. You all at LMII have always given me great reason for trust in doing business with you. You have always treated me well and in a prompt and professional fashion. You have always helped with any problems that I might. have. Your staff is knowledgeable and professional and the materials have been great. You guys run the type of business that makes me look for things I need that I can get from you. If that doesn't work (look for things I might need in the future). Thank you for giving me a place where I can buy my materials with confidence.”

Michael M.

Ovangkol

 

 

       
 
"Ovangkol...who knew?!
 
What a great alternative tonewood. As there is a lot of it around, the logs are large and the sets are very on quarter and STRAIGHT. What a pleasure to build with. Bends and glues well....not too hard on edge tools. It is not quite as dense as most Rosewoods, which can be a good thing, especially on larger bodied guitars as you don't have to combat the problem of clashing overtones - there is better separation between notes."

Montreal luthier 
Michael Greenfield
 
     
BSOvangkolTaylorGuitars700Guibourtia ehie

Ovangkol, from West Africa, comes from the same family as Bubinga and has a similar interlocking grain pattern. It is reasonably easy to bend and planes and finishes well.
 
Ovangkol often has subtle mineral deposits that can show up under the finish. We find the best way to deal with these is to apply a few coats of shellac prior to finishing. Shellac is non-reactive with other finishing products and masks the mineral deposits well (always test compatibility whenever mixing finishes). In addition, Ovangkol is a species that due to open pores, needs a pore filler. We recommend a dark pore filler as it's in keeping with the dark streaks running through Ovangkol and there's the added effect of hiding the mineral deposits.